Cameron Gray
Mise en Scene
October 13 - November 3, 2007
Selected works
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detail |
The Man, 2006,
Oil on wood tiles,
62.5 x 38.5 inches |
detail |
Tree Of Singularity, 2006,
Oil on wood tiles,
100 x 87 inches |
detail |
Broccoli, 2007,
Oil on wood,
47.5 x 42 inches |
detail |
Continuum, 2007,
Oil on canvas on wood tiles,
43.5 x 43 inches |
detail |
The Pornification of the Mainstream, 2007,
Digital Study |
detail |
Eat Me, 2007,
Oil on canvas on wood tiles,
75 x 52.5 inches |
detail |
She Doesn't Care, 2007,
Oil on wood tiles,
100 x 87 inches |
detail |
Wheatpaste King (Shepard Fairey), 2007,
Oil on canvas on wood tiles
43.5 x 32 inches
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detail |
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Three Lincolns, 2007,
Oil on canvas glued to canvas,
28 x 22.5 inches |
detail |
Born
1974 in Anaheim, California. Gray lives and works in Los Angeles. Prior to his entrance into the L.A. art
scene, Gray owned his own animation studio and worked
as an Animation Director for films like Apocalypto,
Underworld: Evolution, Sky Captain and the World of
Tomorrow and multiple videos for the band, Tool. Gray has been working on this series of paintings for
the past two years.
His work begins as digital studies,
which are divided into hundreds of small pieces and
then sent out to a group of artists composed of
personal associates, professional colleagues and
Internet correspondents. By breaking the painting down
into a grid of pixels and outsourcing the work, Gray
builds a virtual factory by way of the Internet. This
modern approach is used to create the appearance of a
traditional oil painting.
Like photo mosaics, these paintings exist on two visual
levels. Each painting is comprised of several smaller
paintings. These secondary paintings of hamburgers,french fries, traffic and smog combine to form larger
compositions.
Subject matter ranges from portraits of
Jesus, Phil Spector, Shepard Fairy and Brittney Spears
to landscapes, bomb flares, and vegetables. The smaller
images used are thematic and play a vital role in the
depiction of the larger image. Through issues of
perception, Gray addresses politics, religion,
ideology, nature, commerce, media and our propensity
for violence.
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